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Na njegov rani stil utjecao je Ram\u00f3n Montoya, s kojim je bio u rodu s maj\u010dine strane obitelji. [2] Opse\u017ena suradnja s va\u017enim kantaoresima (mu\u0161kim flamenco pjeva\u010dima) tog razdoblja pomogla mu je da razvije svoj osobni stil.\n\nNapustiv\u0161i \u0160panjolsku 1936. godine tijekom \u0160panjolskog gra\u0111anskog rata,oti\u0161ao je u egzil u Ju\u017enu Ameriku s bailaorom (plesa\u010dicom) Carmen Amaya. \u017divio je u Mexico Cityju, o\u017eenio esperanzu Gonz\u00e1lez Erazo i dobio \u010detvero djece: Maricruz 1944., Carlos 1946., Agustine 1952. i Margaret 1956. Agustine i Margaret \u017eive u New Yorku, Maricruz \u017eivi na Aljasci, a Carlos je preminuo. Amaya i Sabicas su nekoliko puta bili zajedno. Sabicas se kasnije nastanio u New Yorku u Sjedinjenim Ameri\u010dkim Dr\u017eavama gdje je sklopio do\u017eivotnu vezu prijateljstva i poslovanja s klasi\u010dnim gitaristom Rolandom Vald\u00e9s- Blainom. U rodnu \u0160panjolsku vratio se tek 1967. godine. [3]\n\nSabicas je bio klju\u010dan u uvo\u0111enju flamenca publici izvan \u0160panjolske i svijeta \u0161panjolskog govornog podru\u010dja. Vjerojatno je bio najpoznatiji po svojim tehni\u010dkim vje\u0161tinama: u\u017eareno brzi picados (vage), brzi arpeggios, kvalitetna kompozicija za mnoge oblike flamenca i nepogre\u0161iv ritam, koji je bio kriti\u010dan pri igranju s plesa\u010dem. Tako\u0111er se smatralo da ima savr\u0161enu visinu. \"Najbolja tehnika mora biti Sabicas, flamenco igra\u010d\", izjavio je Chet Atkins za Guitar Player Magazine u o\u017eujku 1972. [4]\n\nSabicas je bio jedan od najve\u0107ih flamencovih gitarista, ne samo kao tehni\u010dar, ve\u0107 i kao skladatelj. Svirao je flamenco na dosad nezamislivoj razini i stvarao nove tehnike, otvaraju\u0107i nove mogu\u0107nosti za solo instrument. Donio je svoju umjetnost u koncertne dvorane i velika kazali\u0161ta, \u010dine\u0107i je dostupnom svim razredima. Moderni igra\u010di kao \u0161to su Paco de Luc\u00eda, Tomatito, Serranito, Ren\u00e9 Heredia, Juan Manuel Ca\u00f1izares, El Viej\u00edn, Vicente Amigo, Gerardo Nu\u00f1ez, Javier Conde i mnogi drugi priznaju veliki utjecaj Sabicasove glazbe.\n\nSabicas je preminuo u 78. godini u bolnici u New Yorku u New Yorku od komplikacija uzrokovanih upalom plu\u0107a i vi\u0161estrukim mo\u017edanim udarom........Sabicas fue fundamental para introducir el flamenco a audiencias fuera de Espa\u00f1a y del mundo de habla hispana. Probablemente era mejor conocido por sus habilidades t\u00e9cnicas: picados (escalas) brillantemente r\u00e1pidos, arpegios r\u00e1pidos, una composici\u00f3n de calidad para muchas formas de flamenco y un ritmo inconfundible, que era cr\u00edtico cuando se tocaba con un bailar\u00edn. Tambi\u00e9n se pens\u00f3 que ten\u00eda la altura perfecta. \"La mejor t\u00e9cnica tiene que ser Sabicas, el int\u00e9rprete de flamenco\", dijo Chet Atkins a Guitar Player Magazine en marzo de 1972.\n\nSabicas fue uno de los m\u00e1s grandes guitarristas del flamenco, no solo como t\u00e9cnico, sino tambi\u00e9n como compositor. Toc\u00f3 el flamenco a un nivel antes impensable y cre\u00f3 nuevas t\u00e9cnicas, abriendo nuevas posibilidades para un instrumento solista. Llev\u00f3 su arte a salas de conciertos y grandes teatros, poni\u00e9ndolo a disposici\u00f3n de todas las clases. 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